失神、昇天、その後に待ち受ける最高のクライマックス！性癖の壁を完全にブチ破り新たな快楽に導かれるようにして目覚めてしまう淫乱な女体。

久未谋面的抓马姐姐突然造访，使牧师弟弟开始正视自己的同志身份，并向一直暗恋的同事袒露心迹。

An utterly unique homemade sci-fi-action-sexploitation buddy image, Runaway Nightmare is a sublimely amateurish mess that must be endured to be believed. Two pals running a worm ranch in Death Valley very long for some excitement to cut the boredom of their lifestyles. Their desires are fulfilled when they witness mobsters burying a gorgeous blonde girl alive in the desert, save her, and are taken captive by a ruthless squadron of feminine revolutionaries for their difficulty. Our heroes are very first tortured and then used as sex slaves, but eventually the girl gang invites them to join their cause, and they battle the syndicate to recover a briefcase full of taken platinum. Runaway Nightmare at first follows a standard male fantasy template (kidnapped by dominant females for stud solution), but it isn't pornographic. The male leads crack jokes like adolescent versions of Bob Hope and Bing Crosby, but none of it's funny. The plot includes radioactive accidents, exploding warehouses, and club fights, but there is no action. First-and-only-time director Michael Cartel is fond of long, airless scenes in which nothing happens, giving Runaway Nightmare the bizarre waking fantasy feeling that badly built movies sometimes achieve accidentally. The dialogue is ridiculous, the situations are ludicrous, and there isn't an actor in sight. Brief, clumsily-inserted nude scenes are meant to double for characters in the narrative, nevertheless the women's bodies are different, their faces are obscured, and they're shot on videotape rather than the movie stock utilized for the rest of the picture. In spite of (and because of) these dubious Runaway, virtues Nightmare is a one-of-a-kind cinematic experience, a fascinating failure that reaches brand new levels of weirdness, and its obscure house video launch is really worth seeking out for the jaded and the curious

纪录雷恩雪铁龙工厂的内部情况，刚开始，影片似乎为了这种集体群体合作式的生产表示赞赏，但逐渐，影片基调急转直下，转而批判起这种单调毫无活力的生产方式。

1992年，少年谭珊蒂和她的朋友索菲和茉莉拍摄了新加坡的第一部独立电影-一部名为“偷懒者”的公路电影-和他们神秘的美国导师乔治·卡多纳(Georges Cardona)一起拍摄。桑迪写了剧本，饰演主角，一个叫S的杀手。拍摄结束后，乔治和所有的镜头一起消失了！20年后，16毫米罐在新奥尔良被找到，桑迪-现在是洛杉矶的小说家-开始了一场跨越两大洲和许多媒体的新的个人奥德赛：16毫米、数码、Hi8、Super8、幻灯片、动画和手写信件。万花筒朋克摇滚鬼故事！

新映

莉拉（帕特丽夏·阿奎特 Patricia Arquette 饰）崇尚自然，是一位自然主义者，然而她的男友内森（蒂姆·罗宾斯 Tim Robbins 饰）却是个实实在在的教条主义者，这两个性格和生活理念截然迥异的人，他们的爱情能够长久吗？最终，选择放弃自我的那个人是莉拉。 一个名为帕弗（瑞斯·伊凡斯 Rhys Ifans 饰）的男人的出现打破了莉拉和内森之间艰难维系的平衡，帕弗从小就跟随着父亲生活在深山老林之中，外表和内心都和“野人”无异。内森兴致勃勃地要在帕弗身上开始自己的计划，而莉拉却感到了犹豫和矛盾。一边是被压抑的真性情，一边是和恋人多年的感情，莉拉会做出怎样的选择呢？